An objective review of the Dismemberment Plan: Showbox Sodo, 3/12/2011

[Eds. note: I wrote this for ballofwax.org, but there was enough ink spilt about the Dismemberment Plan already, everywhere, by everyone, and they didn’t need the publicity. And, it’s not that great of writing. So why post it here? Because I can. I also started using the word ‘natch’ in this piece, and that needed to be documented (natch).]

Unlike certain people on the staff here, I don’t maintain a very expansive knowledge of important indie rock bands, music, and history. What I knew of the Dismemberment Plan before Saturday was that “You Are Invited” song, plus a memory of them being big back when I was first learning about indie pop (hat tip to long-defunct indiepopradio.com on that count). Also the “Death and Dismemberment” tour, whose name was pithy and memorable. Well done, marketing people.

My friend Brian had extra tickets to their show at Showbox Sodo, so I went. What better introduction to a famous and popular group? And who better to give an objective review? Enough rhetorical questions.

In short, the band was great. I hate it when people describe a musical experience as “amazing,” so I won’t do that, but I will say that the group exhibited that rare quality you sometimes see with musicians that have played for a long time, and performed their songs many times, yet still enjoy playing them. It’s a combination of passion and competence that’s very fun to watch. And that drummer. Hot damn! That’s 50% of the band right there. Such precision, power, and intricacy, yet relaxed in the groove. The rest of the band: perfectly serviceable. It would not, however, be unfair to say their main job is to back up singer Travis Morrison.

I’m not sure I’ve seen someone use his voice quite like Morrision does. He goes from ballad-crooning to full-on screaming, but then he also.. is it quite right to call it rapping? A lot of words real fast on the meter. I don’t know what he was saying, but there was a lot of it. And he could keep all of this up without fatigue for almost 2 hours.

Also, the man is entertaining. But then they all were. Everyone was getting into the stage banter thing (except, notably, the drummer), and while that can get tiresome pretty fast, it was clear these guys were happy to be there, and the good feelings onstage were shared by the audience. Which is important. This positive atmosphere seems to have been missed in a lot of indie pop star reunions lately (see “ment, Pave”).

What can I say of the music… it’s hard to go into a concert cold, without knowing the songs beforehand. I don’t have anything specific ringing in my head afterward (except “You Are Invited,” natch), though they succeeded in making me want to go to my local library and learn more about their band. I can say that at various times I was reminded of the Death and Dismemberment thing, because a number of the songs sound like Photo Album-era Death Cab For Cutie. Given the timeline though, it may be more accurate to say that Death Cab sounded like them. This music was more complex, with lots of parts and turn-on-a-dime time signature shifts. Lots of that. They clearly like messing around with time.

Somewhere halfway through the set they turned into Fugazi, with the energy, tempo, screaminess, and avant factors being increased beyond what had occurred heretofore. I wouldn’t be surprised if these people came from hardcore, which would also make sense as they’re from DC. They dialed it down again some toward the end, but the entire set was high-energy and avoided introspection. Sadly, I can only speak in these broad strokes, as everything bled together for me, and writing about music is hard. But it was easy to tell which were the hits from the fan reaction. I didn’t know they had that many hits.

On the downside, they played one of those prescribed encores, which are always lame. On the plus side, the only did it once, and a large number of audience members then got on stage with them for one song (you can sort of see this in the picture above). Which was a cool fun thing to have happen, though I was worried the stage might collapse.

And that was it. Famous reunited rock band was pretty badass, even to the uninitiated.

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Yet another blog

Louis here,

over the years I’ve had a lot of websites:

  • j-shirt.com (my record label experiment; various iterations)
  • thegraze.net (my solo music project; various iterations)
  • independentsday.com (a short-lived concert series — long gone)
  • wearedirigibles.com (an expired/failed idea/site to write about misc. projects)
  • ????.??? (a much-neglected site to write semi-anonymously about misc. projects and other things)
  • aninvitationtolove.com (my other band)
  • students.washington.edu/louieo (endless years ago)
  • any number of myspaces, tumblrs, bloggers, facebook, cllct, bandcamps… an endless array of digital repetition.

There are other sites as well coming up now that I’m renaming my music project, and aninvitationtolove.com needs effort and content, and on and on. Separately, I’ve been writing for ballofwax.org. That’s been nice.

But my point: it’s all over the place, scattered like my mind. The only solution was to create yet another website, and maybe eventually just roll some/most of the above into this and simplify things. Also, I bought my name in DNS. Also, ball of wax doesn’t publish everything I write, so I can put that unpublished stuff here. Because words are precious, and if they’re not on the internet they don’t exist. Publish or perish! I’m sure this is what that means.

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On Subway

Friends from out of town who visit me here in Seattle have commented that we have a lot of Subways (as in the sandwich place), and fewer of the other types of fast food outlets that you see elsewhere in the US. Here’s another one “coming soon” by the ferry terminal that I saw the other day:

Do we have a lot of subways? What an important question. Let’s do some unscientific science. Here’s a google map of the downtown/capitol hill/central dist./queen anne/rainier valley bits of town and an overlaid “businesses” search for “subway sandwiches:”

20 dots means there are 20 of them, right? I checked, they seem to all be subway franchises and not some other business named subway sandwiches. Here’s McDonalds:

quite a difference there. How about KFC..

Crap. What about local favorite Ivar’s?

Over the same map, burger king showed 1, local chain Dick’s had 2, and then I got bored of looking. Conclusion: there are a lot of subways.

Wow, what a dumb blog post.

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An Invitation to Love Monday, more radio adds

My rock band An Invitation to Love is playing on Monday the 29th at the Comet Tavern here in Seattle. You should go. After some thought we figured we should have a mailing list for that band so I can stop spamming the graze list.. you can sign up for that now at www.aninvitationtolove.com. That band also has a couple of new recordings to put up on that site, I’ll be doing that after I do some more mixing.

Other news: Give/Sell was added to a couple more Northwest radio stations, KZUU in Pullman WA and KGRG in Auburn WA. If you’re in those neighborhoods call them up and request something. They might just play it.

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Show tonight! plus news

Hi,

tonight I’ll be playing on Hollow Earth Radio on the Internet on the Leaky Pipes radio show, and then Friday the band is back together to play the album release for Give/Sell, at Cafe Venus/Mars Bar. I’ve explained that elsewhere, I think, but there it is again. Here’s an excellent poster from Jeffrey Henry:

2010/03/05 cafe venus

Hilariously, Open Choir Fire has a much better take on it. This is their email blast on the subject:

Hello again!
Say, if you’ve ever caught Open Choir Fire live, you know it may be all good times and jollies, being the irreverently careless side project (and hugely successful cash cow) that it is, but I bet you didn’t know that we also have a serious side as well.
Mississippi Painful started as an dadaist installation art project of Brian and Terry’s from back in our optimistic college days. Meant to shine a light what we believed to be an insurmountable socioeconomic chasm between the classes, the original installation consisted of two plastic champagne glasses filled with red and blue jello (dis)respectively, highlighting the oxygenated, de-oxygenated blood that runs through all our veins, regardless of class standing, atop a pile of mixed women’s lingerie. This came along with musical accompaniment (played live by Brian on his tenor sax, “Goldilocks”): A proverbial “broken record” of repeated overtones and deep harmonics, meant to symbolize humanity’s solipsistic inability to truly connect with [on any deep level], not only other forms of (un)natural life (nature, religion, etc.), but ultimately our own true inner selves.
Just kidding. As usual, it will just be us and our more talented friends getting dangerously drunk and playing country music. This time we have an album No Recession available for purchase. Also it is a CD Release party for the Graze’s new fucking album Give/Sell, which you need to have. And local heartthrob Seth Howard is playing as well, so there you have it. BTW, the Graze will be giving you a delicious taste tonite, playing live on Hollow Earth Radio, at about, oh let’s say 8PM.

Friday, March 5th
Mars Bar/Cafe Venus
& Nadamucho.com present…
The Graze
Mississippi Painful
Seth Howard
9p
$6
it’s a bar

Enjoy.

Quick reminder that tonight is the album release show.. Cafe Venus at 9pm sharp.

In other news, the Seattle Weekly had a great writeup for the album and the show.

Also, Give/Sell is going into rotation on KEXP 90.3 FM in Seattle, which is exciting.. I hear that place is good. Call them up and request something!

And finally, I believe KUPS 90.1 FM in Tacoma is spinning the album as well…

KUPS logo

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